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And this was true as much for the news as for entertainment. It was a television network that benefited from a rare freedom of expression, opening up subjects and themes that had previously been excluded from representation, such as women and young people, physicality and sex. Between the radical s and the hedonistic s, Italy went through a traumatic period of political turmoil and social change. This project has been a voyage into my past but also into the collective memory of a generation whose sensibilities were shaped in front of a television screen. Throughout it all, Italian television informed the public about all the news, as well as providing endless entertainment to the masses. Going against a traditionally patriarchal and catholic society, feminists fought many difficult battles during this period, obtaining a divorce law in and achieving the legalization of abortion in
Between the radical s and the hedonistic s, Italy went through a traumatic period of political turmoil and social change. Dramatically lit works by the likes of Giorgio de Chirico, Michelangelo Pistoletto, Alighiero Boetti, and Alberto Burri are spaced out amid projections of historic documentaries about those artists. More importantly, he gives space to forgotten or lesser-known female artists who tirelessly worked to affirm themselves in a hyper-masculine culture. From this point on, TV 70 becomes a joyful and colorful reunion of personalities who are still dear to the public today. And this was true as much for the news as for entertainment. In a tongue-in-cheek move, these films — one for each artist — are all playing at once, creating a cacophony that well represents the struggle for attention, the egocentrism, and the machismo that distinguished these men and their milieu. Rai stood out for its high-quality content as well as excellent production values and a great deal of experimentation. With his video montages, the artist has created not only a powerful homage to the history of Rai but has also left some hints to his personal poetics and system of beliefs. Throughout it all, Italian television informed the public about all the news, as well as providing endless entertainment to the masses. Francesco Vezzoli guarda la Rai, installation view photo by Delfino Sisto Legnani and Marco Cappelletti; courtesy Fondazione Prada Leaving this corridor, the exhibition continues to its second half, which is distinguished by a strong female component and a lighter tone. This project has been a voyage into my past but also into the collective memory of a generation whose sensibilities were shaped in front of a television screen. TV 70 samples society in a particular place and time, showing the established worlds of art and politics, rigid in their structures of power and representation, in total contrast with entertainment, the key to accessing the underground and progressive elements of culture. Only four years later, Ilona Staller, a. It was a television network that benefited from a rare freedom of expression, opening up subjects and themes that had previously been excluded from representation, such as women and young people, physicality and sex. Moving forward through the exhibit, the heavy atmosphere of the Years of Lead is represented by a black corridor full of monitors transmitting news of the tragedies and terrorist attacks that marked s Italy. Images of his corpse found on a street in the center of Rome are broadcast on television. Cicciolina — the first woman to bare her breasts on Italian national TV — entertained her public dressed up as a provocative nymph. Going against a traditionally patriarchal and catholic society, feminists fought many difficult battles during this period, obtaining a divorce law in and achieving the legalization of abortion in The company hired some of the best intellectuals and film directors of the time as authors and collaborators, from poet Giuseppe Ungaretti to directors Federico Fellini and Michelangelo Antonioni. One after another, the viewer is assailed by news of kidnappings, killing of magistrates, jurists, and journalists, and train bombings. This time, the overlapping audios enhance the sense of claustrophobia and disorientation of the time. Visitors enter the show by stepping into a sanctuary dedicated to the established s art world. In his characteristically playful way, the artist has brought together works of art and archival material from TV programs of the s, melding them into a personal narration of the culture, politics, and entertainment of the period. In an era without video tape recorders, it was an event you either showed up for or missed. In Italy, s television was like a sung mass in the cathedral:
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