Sex disco era
Now can you walk me through a standard night of shooting at Studio 54? I would usually get there around 11 or A lot of people were sick of disco and moved on to rock, punk or new wave. But the power and strength coming from it, to me, is very noteworthy and shows a lot of creativity. So how did I grow? Back then it was unusual to see, so I just kept shooting. From there, I would rely on my gut instinct and looking for interesting things that were happening.
Then there was also backstage, which was completely different, as well as offstage where I would go with Paul if he went on a bike ride or something like that. People are really expressing themselves in an interesting way. Unlike the disco era, this movement had a common enemy, whereas disco was more like an inclusive celebration. My mindset was one of a curious photojournalist. This is the tiny little period of time I captured for this body of work that can never really be recreated. I love my iPhone. But I really enjoyed it, loved it and learned a lot. Most recently, he spoke at the Library of Congress with Gloria Gaynor and other scholarly types who have studied this era, which he says was one of his greatest honors. There was also a gay undertone to the whole disco culture, which caused some cultural backlash against the music. If done successfully this will reflect something universal that anyone can pick up on. Was it an old crowd? The couple inspired his work because they reminded him of a pre-war Berlin Cabaret couple and he used them as a muse as he continued his journey to explore different clubs. I would usually get there around 11 or I would make a contact sheet in my makeshift darkroom and sit there with a big, strong cup of coffee. Then Studio 54 opened and it continued for a couple years until the AIDS crisis, which made people a bit afraid of going out. So how did I grow? This couple would dress in different costumes on different nights. Was it a young crowd? Whether it was a cluster of people sitting on a couch or a transgender woman dancing with a straight guy, I looked for things that showed diversity and reported to what I saw that night to the world—the Village Voice often used my pictures to illustrate pieces during that time when disco was so important, which was really happening in New York City. A lot of people were sick of disco and moved on to rock, punk or new wave. Basically, I would start by scoping out the crowd and seeing who was there. To wrap things up, is there a purpose that envelops all of your work? Now can you walk me through a standard night of shooting at Studio 54? What were you seeking to accomplish? I was curious about the culture I was witnessing and knew I was witnessing something interesting.
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