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The comedy often takes the form of twisted surrealism, such as when a giant boulder rolls down a nearby hillside and lands plop in Gal's beloved pool, barely missing taking Gal to the bottom with it. As is not uncommon in gangster movies these days, Glazer manages to inject an element of black humor into the proceedings. Logan has that quality that distinguishes all great villains: This technique of telegraphing information ahead of time contributes immensely to heightening the suspenseful quality of the film. Was this review helpful to you?
Seemingly controlled and rational one moment, he can suddenly erupt into a volcano of exploding anger the next. Cleverly, writers Louis Mellis and David Scinto have paved the way for this entrance by introducing Logan ahead of time in a series of conversations in which just the mere mention of his name sets off portentous reverberations amongst the people discussing him. Logan has that quality that distinguishes all great villains: One of the most chilling moments in the film occurs aboard a departing airplane in which Logan refuses to douse his cigarette, thereby precipitating a confrontation with the flight crew. He reminds us of how weak and vulnerable the rest of us really are. Winstone underplays his scenes superbly, yet he never allows himself to be acted off the screen by the fiery Kingsley. Gal would like nothing better than to send Logan home packing empty handed, but he also knows that defying Logan can be the fastest route to an early demise. Without the use of weapons of any kind, Logan is able to cow and terrorize a roomful of reasonably fearless adults simply by his steely-eyed demeanor and the unpredictable nature of his temperament. One should mention that the heavy cockney accents of the characters make what they are saying a bit incomprehensible at times. From our very first glimpse of him high-strutting his way through an airport terminal, Kingsley hits just the right note for his character. Was this review helpful to you? Despite his criminal background, Gal wins us over by his openhearted frankness, his sincere devotion to his wife, friends and neighbors, and his obvious desire to lead a straight life from hereon out. But Gal soon discovers that a person cannot escape his past forever, when Logan suddenly shows up at his doorstep demanding that Gal join his own personally hand-picked gang of seasoned criminals whom Logan has brought together to pull off a major heist back in Merry Olde England. Don Logan is so evil that even his fellow mobster buddies fear and hate him. As is not uncommon in gangster movies these days, Glazer manages to inject an element of black humor into the proceedings. The comedy often takes the form of twisted surrealism, such as when a giant boulder rolls down a nearby hillside and lands plop in Gal's beloved pool, barely missing taking Gal to the bottom with it. This technique of telegraphing information ahead of time contributes immensely to heightening the suspenseful quality of the film. Logan, for all the intensity generated by his character, is not, however, the focal point of the film. Gal, brilliantly played by Ray Winstone, who provides a fascinating counterpoint to Logan's no-holds-barred villainy, occupies that position.
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