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Homegrown Pictures and Macro For a long time, people disregarded critiques of sex scenes with questionable consent i. But Biller despises this interpretation, considering Elaine an amalgamation of her own fantasies. For example, Masters of Sex centers around sex much more than Game of Thrones. And we see the effects of those attitudes in just about every real-life MeToo story. Why are they so deeply, profoundly uncomfortable?
The sex was not always sexy on "Masters of Sex. But it can serve as a mirror. For decades, sex on screen has stripped women of their agency, blurred the lines of consent, and treated women as objects of male desire rather than as people. For women of color, gender norms are only one part of the problem. Elaine from "The Love Witch" casting her love spells. Cinema in the s was chock full of depictions of multi-faceted women — but only so men could reconcile with what Freud called the Madonna-whore complex , a concept that reduces women to objects of either love or desire. The work has only just begun Sexual representation in popular media is improving. For example, Jones frequently struggles with casting her projects, specifically because they feature sex scenes between black women and men. Diana Gabaldon, the writer behind the Outlander novels and Starz adaptation, literally wrote the book on how to write good sex scenes. My God, we can't begin to argue with her about this. A call for more nuanced depictions of sex is not an argument just for women. Given that people now are very aware, how does this come across? An actress goes to an audition. For example, Masters of Sex centers around sex much more than Game of Thrones. Because that's how any of us know these things. But Game of Thrones, with source material written by a man and adapted by two male showrunners, is loudly criticized for its gratuitous female nudity and questionable depictions of rape. She spoke up about it. In reality, what makes sex sexy is the exchange between people: Masters of Sex explores the same topic, while giving the consequences women suffer from even consensual workplace sex proper weight. In a recent New Yorker article , Molly Ringwald wrestled with the legacy of director John Hughes, who made her career with The Breakfast Club, Sixteen Candles, and Pretty in Pink — movies which all portray sexual assault, implied date rape, and stalking as the harmless fun of naturally entitled men. Director Coralie Fargeat inverts the male gaze in horror movie "Revenge. She wants the part — she likes the part. Jones remains optimistically cautious. Each instance of sex or nudity was discussed, and changes were made if they raised concerns. In a certain light, the protagonist, Elaine, can be seen as an embodiment of male fantasy. Pop culture needs a sexual revolution.
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